A Discussion on Tom Petty’s Southern Accents

Tom Petty’s Southern Accents Album cover

Check out the latest episode on the 33 1/3 podcast: Michael Washburn (@WhaleLines), author of Tom Petty’s Southern Accents, discusses Tom Petty’s attempt at a single-concept album on the American South. The 1985 album led to a fall from grace and a subsequent reinvention. Washburn’s book, and the case of Tom Petty, is an appealing study in celebrity, identity, and misrepresentation.   With the exception of the album’s opener “Rebels,” nothing about the album strikes as particularly southern. For reference, “Rebels” hits the listener over the head with a trite description of what it is to be a Rebel…

New 33 1/3 books out today! An Elton and Judy double feature?

During this time of quarantine and isolation, we’re all trying to figure out how to stay connected and engaged with the world around us. Of course, one of the biggest ways we are doing that is by constantly consuming and sharing content. Where would we be if we didn’t have music, books, and television to provide a steady stream of entertainment and comfort? It sometimes seems like a lot of what we have to look forward to on a day-to-day basis can revolve around these exact things, so to coincide…

Video Vault: Prince, “Raspberry Beret”

ANOTHER POST FOR OUR “THROWBACK THURSDAY” SEGMENT, VIDEO VAULT! ON SELECT THURSDAYS, WE DISCUSS OUR FAVORITE MUSIC VIDEOS THROUGH THE AGES.  For this Throwback Thursday, I thought we’d celebrate the 35th anniversary of Prince’s  Around the World in a Day by revisiting the album’s hit single “Raspberry Beret.” A strangely innocent song for the otherwise scandalous and seductive musician, it came right after the implementation of parental advisory warnings, for which Prince’s song “Darling Nikki” was the cause. The lyrics feature a hat-wearing hipster and her lazy teenage love interest, with…

Women Crush Wednesday: Joni Mitchell’s Court and Spark

Who better to celebrate on #womancrushwednesday than Joni Mitchell? An emblem of female empowerment, Mitchell has always retained publishing rights to her music and has produced, often solely, her own albums. Though primarily considered a pop artist, the songs she wrote carried a signature folk rock sound with a jazz influence. Mitchell’s success as a solo songwriter and singer in the 1970s music scene certainly gets us going. Sean Nelson’s Court and Spark (2006) looks at the 1974 album, Mitchell’s sixth, as a concentrated effort for a hit record. This…

For your at-home Pearl Jam session – stream Gigaton now!

Gigaton Album Cover

It’s been seven years, but they’re finally back in business. Pearl Jam officially released Gigaton last Friday, and we couldn’t be more excited. This self-recorded and self-produced album features twelve new songs, including “Dance of the Clairvoyants,” “Superblood Wolfmoon,” and “Quick Escape” which were all released as singles earlier this year. It’s experimental and creative, providing critical commentary during a crucial political moment. And though their tour has been postponed until further notice, there’s still plenty of Pearl Jam content you can access from home while you wait.  Of course, you can…

How to Be Unapologetically Creative

Liz Phair on “Rebel Rebel” After finishing my 33 1/3 volume on David Bowie’s Diamond Dogs, I’d had enough ruminating about the album on my own. Now I wanted to hear what other people had to say. So I wrote to some of the smartest and most interesting people I know to ask them for their thoughts and feelings about Bowie and Diamond Dogs. The amazing and wonderful Liz Phair—who needs no introduction for readers of this blog—generously took a moment from her current tour to send me this anecdote and appreciation. It was a…

Proximity to Blackness

Daniel Alexander Jones on David Bowie After finishing my 33 1/3 volume on David Bowie’s Diamond Dogs, I’d had enough ruminating about the album on my own. Now I wanted to hear what other people had to say. So I wrote to some of the smartest and most interesting people I know to ask them for their thoughts and feelings about Bowie and Diamond Dogs. One of those people was Daniel Alexander Jones, a Guggenheim award-winning performance artist, playwright, director, essayist and educator who teaches at Fordham University. At the…

Camp and Excess on Diamond Dogs: A Conversation Between Glenn Hendler and Rick Moody

After finishing my 33 1/3 volume on David Bowie’s Diamond Dogs, I’d had enough ruminating about the album on my own. Now I wanted to hear what other people had to say. So I wrote to some of the smartest and most interesting people I know to ask them for their thoughts and feelings about Bowie and Diamond Dogs. One result was a long and engaging (at least to me) email exchange with the writer, Rick Moody, author of many moving works, from 1994’s The Ice Storm to last year’s…

Why Diamond Dogs?

Glenn Hendler, author of David Bowie’s Diamond Dogs, on why he chose to write about Bowie’s dark, dystopian album The first time I saw David Bowie in concert, he pointed directly at me. He was on his 1976 “Isolar” tour in support of the album Station to Station, and I saw him in my hometown: New Haven, Connecticut. Bowie was in his “Thin White Duke” costume and persona, and the third song he played was “Fame,” his first #1 hit in the United States. Near the end of the song, Bowie rhymes…