Siouxsie and the Banshees Week: Day 4 – “Peek-A-Boo” Part 2

To celebrate the recent publication of Siouxsie and the Banshees’ Peepshow, author Samantha Bennett will be guest-blogging all week. In her final post, Samantha looks at the influence that silent films had on the music video for their critically acclaimed song, “Peek-A-Boo.” Peepshow features numerous references to silent filmmaking, particularly its technical facets, including the use of light and shade and vignette. This influence extends into the ‘Peek-A-Boo’ video, particularly in the way that Siouxsie and The Banshees are depicted as separate protagonists. Sioux is a leading lady, the focal point…

Siouxsie and the Banshees Week: Day 3 – “Peek-A-Boo” Part 1

To celebrate the recent publication of Siouxsie and the Banshees’ Peepshow, author Samantha Bennett will be guest-blogging all week. In today’s post, she focuses on Peepshow‘s lead single, “Peek-A-Boo,” and the role that Caligarisme played in the song’s music video. Take a look at the topsy-turvy, surrealist evidence below… Released in July 1988, ‘Peek-A-Boo’ was Peepshow‘s lead single, as well as one of Siouxsie and the Banshees’ most commercially successful and critically acclaimed song. The inclusion of Warren and Mercer’s ‘Jeepers Creepers’ quotation in the ‘Peek-A-Boo’ chorus is well documented. Less so is that of the…

Siouxsie and the Banshees Week: Day 2: Peepshow and Film Maudit

To celebrate the recent publication of Siouxsie and the Banshees’ Peepshow, author Samantha Bennett will be guest-blogging all week. Today, she explores the influences that film maudit had on Siouxsie and the Banshees’ music. Taken literally, the term film maudit means ‘cursed’ film, often one that exists on the fringes of the film industry. Perhaps panned by critics, bombed at the box office or otherwise poorly received, film maudit includes films later revisited, then canonized as ‘cult classics’. Most of Siouxsie and the Banshees’ film influences were drawn from film maudit: Roger…

Siouxsie and the Banshees Week: Day 1 – Why Peepshow?

To celebrate the recent publication of Siouxsie and the Banshees’ Peepshow, author Samantha Bennett will be guest-blogging all week. In her first post, she discusses why she chose to write about this album, and how you should be reading it (hint: it should be a rainy day…) I was compelled to write about Peepshow for a number of reasons. Firstly, whilst I don’t think Peepshow is the best – or definitive – Siouxsie and the Banshees record, I believe it’s their most musically accomplished record. The addition of Martin McCarrick and…

The 33 1/3 Open Call Starts Now! – Submit Your Proposals

We’re thrilled to announce the 33 1/3 2018 open call for submissions! As of today, the submission window is open. Proposals will be due by 11:59 EST, October 31st, 2018. Be sure to follow the submission guidelines below, and only submit if you are able to complete your manuscript within 8-12 months from acceptance. We’ll work out individual timelines for books, and some may have longer deadlines, but we’ll need an initial commitment to a fairly quick turnaround. If you would like to submit a proposal for a 33 1/3 volume,…

Announcing: The Fall 2018 33 1/3s!

We’re excited to bring you the Fall 2018 lineup of 33 1/3s! This batch is one of our most eclectic yet – from fan favorites like Tori Amos to the religious-secular stylings of Jesus Freak, with feminist and film studies readings, there is a lot to look forward to with these books. We can’t wait to bring you these come Fall ’18! We promise, they’ll be worth the wait. Drive-By Trucker’s Southern Rock Opera The Drive-By Truckers’ Southern Rock Opera takes listeners on a road trip through the American South,…

Jawbreaker Week: Day 5 – The Reunion

For the last day of Jawbreaker Week, we bring you the moment that all Jawbreaker fans had been waiting for: the reunion. Below, find some highlights of Jawbreaker’s reunion tour and get more Jawbreaker when you pick up 24 Hour Revenge Therapy. There aren’t many genuine surprises nowadays in popular and semi-popular music. But Jawbreaker surprised pretty much everyone by announcing on April 21, 2017, that they were getting back together to play Chicago’s Riot Fest in September. For a thirty-something Jawbreaker fan who had never seen the band in their…

Jabreaker Week: Day 4 – The Jawbreaker Break-up

Jawbreaker Week, Day 4 is a unique moment in Jawbreaker history, as it traces the band’s activity from break-up to 2016-early 2017 when Ronen Givony was interviewing a then-still broken up band. Below, read Givony’s interview with the band and get their first-hand account of the 1996 break-up, through to their recent reunion. Read more in Jawbreaker’s 24 Hour Revenge Theory, out today!  The first draft of my 24 Hour Revenge Therapy book had a long concluding chapter that traced the lives and musical careers of the band from their break-up in…

Jawbreaker Week: Day 2 – 24 Revenge Therapy Video Vault

Ronen Givony, author of Jawbreaker’s 24 Hour Revenge Therapy, returns for Jawbreaker Week, Day 2 to bring us the most essential Jawbreaker clips the free internet has to offer. Pick up the book and listen along, there’s a lot of good stuff here. Needless to say, a book like my 33 1/3 volume on 24 Hour Revenge Therapy could have been written before YouTube—but it wouldn’t have been nearly as much fun. There’s quite a bit of early-, middle-, and late-period Jawbreaker footage for your leisure viewing online: not a comprehensive…

Jawbreaker Week: Day 1 – Why it had to be 24 Hour Revenge Therapy

To celebrate the upcoming release of Jawbreaker’s 24 Hour Revenge Therapy, author Ronen Givony will be guest blogging all week. Up first: why he chose to write about this album in particular, and why it was simultaneously the easiest and most difficult choice a Jawbreaker fan could make. It’s a question that seems to come up a lot, from friends and strangers alike: why did I choose to write about Jawbreaker, and why 24 Hour Revenge Therapy? It’s not a query I can say I anticipated getting, early on, nor one…