D’Angelo’s Age of “Soulquarius” – Part Two

A deeper thread is unraveled when an Aquarius is a Black man. “The key definition, I believe, of being African American…is tied into anti-Blackness,” astrologer Samuel Reynolds explained. “So, an Aquarian Black man is going to be immensely sensitive to how he both functions on that perimeter and also be attentive to others who function in that throwaway space, in those spaces where they’re not visible or heard.”  On Voodoo, D’Angelo touched on those exact themes with cuts like “Devil’s Pie,” “Africa,” and “Greatdayindamornin’.” He embraced masculinity without being poisoned…

Catching the Spirit

Faith Pennick, author of D’Angelo’s Voodoo, on how gospel music inspired D’Angelo’s critical acclaim. Like many African American singers who hail from the South, D’Angelo’s foundation is laid in gospel music. Much has been said and written about his R&B influences: artists like Marvin Gaye, Sly and the Family Stone, and his North Star: Prince. But without gospel music, D’Angelo simply would not be D’Angelo. As a child, Michael Archer sang and played keyboards in his father’s and grandfather’s churches in and near his hometown of Richmond, Virginia. He contemplated staying…