D’Angelo’s Age of “Soulquarius” – Part Two

A deeper thread is unraveled when an Aquarius is a Black man. “The key definition, I believe, of being African American…is tied into anti-Blackness,” astrologer Samuel Reynolds explained. “So, an Aquarian Black man is going to be immensely sensitive to how he both functions on that perimeter and also be attentive to others who function in that throwaway space, in those spaces where they’re not visible or heard.”  On Voodoo, D’Angelo touched on those exact themes with cuts like “Devil’s Pie,” “Africa,” and “Greatdayindamornin’.” He embraced masculinity without being poisoned…

D’Angelo’s Age of “Soulquarius” – Part One

Some people dismiss astrology—the analysis of personality and human behavior based on the “sun sign” under which a person is born. But in the late 1990s, a group of striving, nonconforming musicians came together to share ideas and push each other to higher heights. Christened the Soulquarians, this unofficial collective bore enduring music as its fruit, including D’Angelo’s Voodoo, of which I wrote about for the “33 1/3” series. The Soulquarians were formed by D’Angelo, drummer/co-songwriter Ahmir Thompson— better known as Questlove—and other consummate Black male artists delivered under the…

Voodoo: Live from New York

Faith Pennick, author of D’Angelo’s Voodoo, on seeing D’Angelo perform for the first time. Live performances are like power outlets to me. I can plug in and share that surge of electricity the band or singer brings song after song. I had never seen D’Angelo on stage prior to the Voodoo tour.  A good friend in Brooklyn invited me to see him at Radio City Music Hall in March 2000. I was curious about what D’Angelo would be like in concert, and how songs from his just-released album would resonate in…