Video Vault 97: Nick Cave

It’s rare that artists release works that rank among their most accomplished decades-deep into their career. Chalk it up to rock n’ roll culture’s “better to burn out than fade away” mentality, or finite creative reserves if you will. Regardless, the trend makes the moments where a pinnacle arrives late in the game worthy of lionization. Scott Walker’s recent bursts of avant insanity and the noise rock ecclesiasticism found on the last string of Swans albums comprise strong examples. Enter Nick Cave, who has never wanted for strong material in his almost four decades as a musician. Perhaps…

News for 33 1/3

This year we wanted to try something new with 33 1/3, and we’re excited to finally be able to announce our plans for the series. We’re changing up the proposal decision-making process a bit and handing the reins over to a few incredibly qualified and talented individuals bringing with them impressive backgrounds in academia and music/culture writing. This is a way for us to gain some fresh perspective for the series, and to keep the series growing and changing in interesting directions. That being said, we’re very pleased to introduce…

33 Things: March Edition

Every month, we will compile the best, weirdest, most interesting music and sound news from the past 30 days and serve it up to you in one handy, easy to digest list. May we present 33 Things that happened in March. This list is brought to you by our 33 1/3 intern, Mike Doub.  This month saw the release of our latest 33 1/3 title, Blondie’s Parallel Lines. Authored by Kembrew McLeod, the book details Blondie’s efforts to straddle the line between the mainstream and the underground, and their success in exposing the fraudulent…

Video Vault 96: Sufjan Stevens

Sufjan Stevens’ Carrie & Lowell was released one year ago yesterday, and while some albums lose their luster over time, this one remains stunningly, painfully intimate to this day. The record details Stevens’ troubled relationship with his mother, and also marks his return to a more traditional folk sound. Full of intricate guitar picking and ghostly vocals, listening to Carrie & Lowell is like bearing witness to one person’s beautifully rendered emotional wreckage. Few songs still get to me on the 100th listen like first single “No Shade in the Shadow of the Cross,” although it might not…