The Long Tail

Carole Kings’s Tapestry book cover

The Album Era: Circular Speculations on a Period Concept Tapestry is an icon of the Album Era, that relatively brief but eventful period between the mid-1960s and the mid-1970s when long-playing records dominated the industry, deeply informing our relationship to popular music. Insofar as it indexes Carole King’s graduation from pop singles to rock albums, Tapestry chronicles the inception of the album as a mature work of musical art in which songs are sequenced and covers are designed to tell a story, frequently about growing up. And rock music itself…

The Analog Idea

The Album Era: Circular Speculations on a Period Concept Tapestry is an icon of the Album Era, that relatively brief but eventful period between the mid-1960s and the mid-1970s when long-playing records dominated the industry, deeply informing our relationship to popular music. Insofar as it indexes Carole King’s graduation from pop singles to rock albums, Tapestry chronicles the inception of the album as a mature work of musical art in which songs are sequenced and covers are designed to tell a story, frequently about growing up. And rock music itself…

Literary Lines Notes: Part 2

The Album Era: Circular Speculations on a Period Concept Tapestry is an icon of the Album Era, that relatively brief but eventful period between the mid-1960s and the mid-1970s when long-playing records dominated the industry, deeply informing our relationship to popular music. Insofar as it indexes Carole King’s graduation from pop singles to rock albums, Tapestrychronicles the inception of the album as a mature work of musical art in which songs are sequenced and covers are designed to tell a story, frequently about growing up. And rock music itself grew up during…

Literary Liner Notes: Part 1

The resolutely minor genre of liner notes recently received a considerable boost in cultural stature when Jonathan Lethem and Kevin Dettmar decided to feature Nat Hentoff’s commentary on The Freewheelin’ Bob Dylan as the first chapter in their Library of America anthology Shake It Up: Great Writing on Rock and Pop from Elvis to Jay Z. Hentoff was the most prolific producer of these simultaneously ephemeral and essential paratexts and it’s fitting that his introduction to the young Bob Dylan also introduces this collection of popular music criticism’s bid for literary respectability.

Growing up with the Beatles

Image of the Beatles

Like many if not most of us my musical memories begin with The Beatles. The four floating faces, half in bluish shadow, on the cover of Meet the Beatles! is the first album cover I remember. It’s a memory that comes back to me in a fragmentary spectrum of sounds, images, and words. Not surprisingly the first songs on side one echo most clearly and completely. “I Want to Hold Your Hand” and “I Saw Her Standing There” are more than memories; they are memorized. They persist as strips of sound in my neural networks corresponding note by note and word by word to the ridges and grooves along which the needle moved.

Of Time and the Record

Tapestry is an icon of the Album Era, that relatively brief but eventful period between the mid-1960s and the mid-1970s when long-playing records dominated the industry, deeply informing our relationship to popular music. Insofar as it indexes Carole King’s graduation from pop singles to rock albums, Tapestry chronicles the inception of the album as a mature work of musical art in which songs are sequenced and covers are designed to tell a story, frequently about growing up. And rock music itself grew up during this era, exhibiting a new cultural…

Climate Unchanged: Parallels Between Vs. and Gigaton

CLINT BROWNLEE ON HOW MUSIC HISTORY REPEATS ITSELF Pearl Jam’s latest record is a cohesive statement on much that is sideways in America and the world, albeit intermittently veiled and unapologetically direct. The cover art may encourage your eyes to linger in awe—is that what I think it is?—but the imagery is not just intriguing, it’s pointed. The dozen varied songs, with vaguely visual and abrupt titles, regale the careful listener with repeated complaints, regrets, warnings. It both seethes and rocks (in the cradle sense). It punches, then caresses. It…