This month, the Bloomsbury Academic podcast takes a look at episodes that amplify Black voices and celebrate Black art and history. Listen in as Ayanna Dozier, Ana Lucia Araujo, Faith Pennick, and Ayanna Thompson discuss everything from slavery and collective memory to the history of representation in the music and theater industries to modern forms of expression and empowerment. These are four conversations you won’t want to miss, including two interviews with our 33 1/3 authors.
In honor of Black History Month, we’re celebrating some of the most important musicians in Black history and culture. From classics like Marvin Gaye and Aretha Franklin to modern icons like Kanye and Janelle Monáe, our newest playlist has a little something for everyone. We’re featuring some of our favorite 33 1/3 artists alongside some of the most recent additions to the series and exciting upcoming releases. Listen now on Spotify and learn more about our latest books.
Need a soundtrack to make your holiday a little merrier? Check out our newest 33 1/3 playlist! Featuring some of our favorite 33 1/3 artists and highlighting some of the most recent additions to the series, these songs will provide the perfect background to all your tree-decorating, cookie-baking, and present-opening festivities. Listen now on Spotify and learn more about the latest books in the series, including our 150th 33 1/3. Happy holidays!
Santi Elijah Holley on the story of Allen Britt and Frankie Baker While most murder ballads traditionally center on the murder of a woman by a man, a few notable ballads flip the script. The most immediate one that comes to mind is, of course, the classic ballad of the spurned woman, “Henry Lee” (or “Love Henry,” as it’s also known), which Nick Cave and the Bad Seeds included on their album Murder Ballads. Though not referenced on Murder Ballads, one of the most popular and widely adapted ballads in…
Wherever you’re celebrating this year, whether you’re going all out in your favorite costume, planning a Halloween Zoom bash, or just chilling on the couch with a bowl of candy, you still need some spooky tunes to jam out to. Listen now by following our Halloween playlist on Spotify or using this compiled list, and be sure to click the links below to learn more about each artist and order your own 33 1/3.
With summer now a hazy memory and October dragging into its 17th week, it is fitting to reflect on the moody album once described by Rolling Stone’s Arion Berger as “romantic fatalism”: Blondie’s Parallel Lines. I have been pining for the glamorous while exclusively dressing in well-worn athletic wear and never leaving home. Debbie Harry’s vocals, accompanied by a reading of Kembrew McLeod’s “gloriously revisionist history” (MTV News) of this album, offer a refreshing dose of allure.
Ayanna Dozier on Janet Jackson, cyber culture, and more. Technophilia and Technophobia were the rage in the late 1990s. As the approaching new millennia loomed on the horizon, society was facing a technological expansion hitherto experienced before. The internet transformed not only our communicative habits but our awareness of space and time itself, producing what scholar John B. Thompson writes as a space-time distanciation (Thompson 1995). This concept refers to how time, regardless of geographic location, now feels as if it operates on a global simultaneity; we feel like we…
Grab your headphones and your reading glasses and settle into your favorite cushy chair, because today marks the publication of 3 new 33 1/3 titles—Suicides’s Suicide, Janet Jackson’s The Velvet Rope, and Various Artists’ I’m Your Fan: The Songs of Leonard Cohen.
Our own version of a 2020 playlist with a back-to-school twist! Whether you’re online or on campus, you’ll enjoy this mix of music while studying, planning or taking a well-deserved break. Follow our playlist on Spotify or check out this compiled list, and be sure to click the links below to learn more about each artist and order your own 33 1/3.
Inspired by our interview on D’Angelo’s Voodoo with Faith Pennick, it’s time to take a closer look at his infamous music video. The video’s featured song “Untitled (How Does It Feel)”won a Grammy Award for Best Male R&B Vocal Performance in 2001 and was named Rolling Stone’s fourth best single of 2000. There’s no denying the deep emotion that D’Angelo can’t contain when he croons this particular song, but I think we can all agree that it was the release of the music video that added new sexy, passionate, breathtaking layers and made his desire come alive.