Kirk Hammett lives according to, what he calls, “curiosity without boundaries.” The lead guitarist of Metallica provides an impressive, but unpretentious reminder that many observers of the heavy metal and hard rock juggernaut might forget: Despite their unlikely mainstream status, after selling more than 125 million records worldwide, Metallica navigates strictly according to their own cartography. On October 1st, I interviewed Kirk Hammett about the Black Album, his philosophy of creativity, and the often misunderstood identity of Metallica.
In 2003, Stones Throw Records flew photographer Brian “B+” Cross out to Detroit to snap some promotional photos of J Dilla, who was then working on the Jaylib project. If you follow this sort of thing, you know these photos: the blue and orange ensemble, a pinwheel cap for the Detroit Stars, the city’s Negro League baseball team, cocked on the side of his head. Classic material. In one of these photos, Dilla’s flipping the bins at Car City Records. Now closed, Car City then was an institution in St Clair Shores on Detroit’s East side, just south of Clinton Township, where Dilla was living at the time.
There are many sounds connected with food in Okinawa, just as there are the world over. Whether the sounds are heard during the food preparation process or during consumption, the soundscape of food in its broadest sense does much to connect cuisine and culture.
My 33 and 1/3 book on Use Your Illusion I and II is the only one of my seven books, as author or editor, to have no acknowledgment section. David Barker, who edited the series back then (2006), read the manuscript, accurately predicted that Guns N’ Roses fans would hate it, but said he liked it and we should go ahead and publish the thing. For a good stretch, it was the worst selling title in the series. The conceit, applying Nicholson Baker’s U and I, a book on John Updike that Baker wrote about his half-remembered take on Updike rather than undertaking new research, but here used to create a UYI and I based on my own blurry impressions, all but guaranteed that.
In 2021, Nenez (using their recent romanized name with a “z” instead of a “s”) celebrated their 30th anniversary with the release of the indies album, Gajumaru. Founded in 1991, the group has seen a number of line-up changes, with three of the current quartet joining in 2019. The ever changing line-ups are comparable with groups such as the American all-women trio, The Three Degrees, which dates from 1963 and is a brand that continues to this day. Indeed,
brand Nenez (or Nēnēzu, to use the transliteration of their Okinawan name) has gone through several phases that have transitioned from a world music act of the 1990s to live-house entertainment in their most recent guise.
People who write often think there are rules that you more or less have to follow. Or should follow. I see a lot made of how much time people spent on their book, and their heaps and heaps of research. I guess maybe I should start by saying that the time in which I wrote the book probably didn’t much resemble the time frames of most other writers.
Let’s talk about Sam Cooke and singing and what it means to be a singer-writer. Or a writer-singer.
What does it mean to sing?
I know, I know—you sounded sublime this morning in the shower, when you channeled your inner Robert Plant and delivered a knockout “When the Levee Breaks,” or maybe you were Billie Holiday, with a soul-pasting version of “Lover Man.”
When you talk about drum machines and Paul’s Boutique, there are two things that even casual listeners can probably hear. The first is that you don’t hear a lot of drum machines on the album. A big part of the record’s legacy is its sampled beats, assembled into intricate, polyrhythmic collages by The Dust Brothers and Matt Dike.
But Matt Dike thought it was less a song than an opportunity. “When I heard it,” he told me, back in 2005, “I knew they were in trouble.”
Macbeth, of course, is a literary oldie. It’s an oldie that still informs our world. Vaulting ambition and all. I mention Macbeth and the idea of relevant oldies for a reason. Sam Cooke is often dogged by the oldies label. Oldies are a genre, right? You hear “Wooly Bully” and “At the Hop” and, yes, Cooke’s “You Send Me,” on the oldies station in the car, and all seems right with the world. These songs are where they should be. You’re having a nice Sunday drive with the windows down in early autumn.
Guest post by Colin Fleming Take the Sam Cooke path and be a VL (Voracious Listener)—it will serve you well in every aspect of life. Hello 33 1/3-ians! I’m back for guest blog entry number two, with this dossier of supplementary Sam Cooke materials. Let’s get to it! Do you remember the age you were when you first got into a given artist or work of art that you care about a lot? I bet you probably do. And you can pinpoint what it meant to you at that moment.…