Guest Post by Matthew Horton It’s a big month in the George Michael Expanded Universe, as not only has my 33 1/3 book on Faith been released in the US (it’s coming your way on 8 September, Europe), but 22 June also sees the global theatrical release of George Michael: Freedom Uncut, the George Michael documentary feature that – according to the official press material – ‘serves as his final work’. ‘Final work’ revisited, that is, because it first appeared in 2017. Back then, it was just called George Michael:…
“When AI does the labor that had traditionally been performed by a living artist, it is not limited to the body. There is no reason, for example, why any AI must be restricted to reproducing the affect of one particular artist. The possibility for the ultimate transmogrification is endless.”
A guest post by Ginger Dellenbaugh.
“Naná Vasconcelos’s superb time surfaced several times when I talked to the producers, engineers, and musicians that knew him best … Naná could easily work without a click track, or dance around the pulse of a click track, producing parts that don’t feel pinned down by its tyranny.”
A guest post by Dan B. Sharp
Kirk Hammett lives according to, what he calls, “curiosity without boundaries.” The lead guitarist of Metallica provides an impressive, but unpretentious reminder that many observers of the heavy metal and hard rock juggernaut might forget: Despite their unlikely mainstream status, after selling more than 125 million records worldwide, Metallica navigates strictly according to their own cartography. On October 1st, I interviewed Kirk Hammett about the Black Album, his philosophy of creativity, and the often misunderstood identity of Metallica.
In 2003, Stones Throw Records flew photographer Brian “B+” Cross out to Detroit to snap some promotional photos of J Dilla, who was then working on the Jaylib project. If you follow this sort of thing, you know these photos: the blue and orange ensemble, a pinwheel cap for the Detroit Stars, the city’s Negro League baseball team, cocked on the side of his head. Classic material. In one of these photos, Dilla’s flipping the bins at Car City Records. Now closed, Car City then was an institution in St Clair Shores on Detroit’s East side, just south of Clinton Township, where Dilla was living at the time.
There are many sounds connected with food in Okinawa, just as there are the world over. Whether the sounds are heard during the food preparation process or during consumption, the soundscape of food in its broadest sense does much to connect cuisine and culture.
My 33 and 1/3 book on Use Your Illusion I and II is the only one of my seven books, as author or editor, to have no acknowledgment section. David Barker, who edited the series back then (2006), read the manuscript, accurately predicted that Guns N’ Roses fans would hate it, but said he liked it and we should go ahead and publish the thing. For a good stretch, it was the worst selling title in the series. The conceit, applying Nicholson Baker’s U and I, a book on John Updike that Baker wrote about his half-remembered take on Updike rather than undertaking new research, but here used to create a UYI and I based on my own blurry impressions, all but guaranteed that.
In 2021, Nenez (using their recent romanized name with a “z” instead of a “s”) celebrated their 30th anniversary with the release of the indies album, Gajumaru. Founded in 1991, the group has seen a number of line-up changes, with three of the current quartet joining in 2019. The ever changing line-ups are comparable with groups such as the American all-women trio, The Three Degrees, which dates from 1963 and is a brand that continues to this day. Indeed,
brand Nenez (or Nēnēzu, to use the transliteration of their Okinawan name) has gone through several phases that have transitioned from a world music act of the 1990s to live-house entertainment in their most recent guise.
People who write often think there are rules that you more or less have to follow. Or should follow. I see a lot made of how much time people spent on their book, and their heaps and heaps of research. I guess maybe I should start by saying that the time in which I wrote the book probably didn’t much resemble the time frames of most other writers.
Let’s talk about Sam Cooke and singing and what it means to be a singer-writer. Or a writer-singer.
What does it mean to sing?
I know, I know—you sounded sublime this morning in the shower, when you channeled your inner Robert Plant and delivered a knockout “When the Levee Breaks,” or maybe you were Billie Holiday, with a soul-pasting version of “Lover Man.”