Sam Cooke, singing and what it means to be a singer-writer

Let’s talk about Sam Cooke and singing and what it means to be a singer-writer. Or a writer-singer.

What does it mean to sing?

I know, I know—you sounded sublime this morning in the shower, when you channeled your inner Robert Plant and delivered a knockout “When the Levee Breaks,” or maybe you were Billie Holiday, with a soul-pasting version of “Lover Man.”

Sam Cooke In Action: Don’t get caught in the oldies trap!

Macbeth, of course, is a literary oldie. It’s an oldie that still informs our world. Vaulting ambition and all. I mention Macbeth and the idea of relevant oldies for a reason. Sam Cooke is often dogged by the oldies label. Oldies are a genre, right? You hear “Wooly Bully” and “At the Hop” and, yes, Cooke’s “You Send Me,” on the oldies station in the car, and all seems right with the world. These songs are where they should be. You’re having a nice Sunday drive with the windows down in early autumn.

Becoming a Voracious Listener with Sam Cooke

Guest post by Colin Fleming Take the Sam Cooke path and be a VL (Voracious Listener)—it will serve you well in every aspect of life. Hello 33 1/3-ians! I’m back for guest blog entry number two, with this dossier of supplementary Sam Cooke materials. Let’s get to it! Do you remember the age you were when you first got into a given artist or work of art that you care about a lot? I bet you probably do. And you can pinpoint what it meant to you at that moment.…

Sam Cooke: Living with Art

Greetings 33 1/3 readers! I’m excited to be talking with you here in a few blog posts I’m going to do pertaining to my book in the series on Sam Cooke’s Live at the Harlem Square Club, 1963. I imagine I’m likely speaking with some wise, veteran readers in the series, but perhaps some sagacious newcomers too, to whom I say welcome! I do a lot of writing on my own blog over at my website, so this seemed well up my street and I’m stoked to get started with you.

Literary Liner Notes: Part 1

The resolutely minor genre of liner notes recently received a considerable boost in cultural stature when Jonathan Lethem and Kevin Dettmar decided to feature Nat Hentoff’s commentary on The Freewheelin’ Bob Dylan as the first chapter in their Library of America anthology Shake It Up: Great Writing on Rock and Pop from Elvis to Jay Z. Hentoff was the most prolific producer of these simultaneously ephemeral and essential paratexts and it’s fitting that his introduction to the young Bob Dylan also introduces this collection of popular music criticism’s bid for literary respectability.

Growing up with the Beatles

Image of the Beatles

Like many if not most of us my musical memories begin with The Beatles. The four floating faces, half in bluish shadow, on the cover of Meet the Beatles! is the first album cover I remember. It’s a memory that comes back to me in a fragmentary spectrum of sounds, images, and words. Not surprisingly the first songs on side one echo most clearly and completely. “I Want to Hold Your Hand” and “I Saw Her Standing There” are more than memories; they are memorized. They persist as strips of sound in my neural networks corresponding note by note and word by word to the ridges and grooves along which the needle moved.

Kanye Week: Sic Transit Gloria Kanye

Welcome back to Kanye Week, in celebration of our new 33 1/3 title on Kanye West’s My Beautiful Dark Twisted Fantasy (hereafter MBDTF) by Kirk Walker Graves, out June 19. The last Kanye Week post is a special one. Our pals at Rap Genius have kindly decided to excerpt part of the book in their one-and-only annotated format. Read “POWER (sic transit gloria Kanye)” by Kirk W. Graves on Rap Genius. Kanye West’s My Beautiful Dark Twisted Fantasy is available for pre-order on Amazon,, and wherever 33 1/3s are sold.

Kanye Week: The Red and the Black

Welcome back to Kanye Week, in celebration of our new 33 1/3 title on Kanye West’s My Beautiful Dark Twisted Fantasy (hereafter MBDTF) by Kirk Walker Graves, out June 19. Here with his second post, Graves addresses Kanye’s duality, and the importance of a leather-clad comeback. A major part of Kanye’s appeal as both an artist and performer is his creative volatility. Whether it’s a new album, an interview, or a live show, the question is always the same: Which Kanye are we going to get? The very same energies behind his cringeworthiest moments…

Kanye Week: We Need to Talk About Kanye

Welcome to Kanye Week, in celebration of our new 33 1/3 title on Kanye West’s My Beautiful Dark Twisted Fantasy (hereafter MBDTF) by Kirk Walker Graves, out June 19. In this first post, Graves addresses the difficulty of talking about someone who talks so much himself. He’s a poet, he’s a picker He’s a prophet, he’s a pusher He’s a pilgrim and a preacher, and a problem when he’s stoned He’s a walkin’ contradiction, partly truth and partly fiction, Takin’ ev’ry wrong direction on his lonely way back home.  –…

Coming soon! EPMOW, Vol. 12

We’re very pleased to announce a teaser for the publication of the twelfth volume in our critically lauded reference series, Encyclopedia of Popular Music of the World. We’ve just published this year, Volume 9 which explores genres in the Caribbean and Latin America. Here, as a teaser article for the International Volume (XII), we present an excerpt on Gospel and Christian Popular Music by Dr. Monique Ingalls. International Gospel and Christian Music Dr. Monique Ingalls (Ph.D., University of Pennsylvania) is Assistant Professor of Music at Baylor University. Published in the…