We are now accepting submissions on a rolling basis.
If you would like to submit a proposal for a 33 ⅓ volume, please submit ALL of the following to firstname.lastname@example.org. The word/page counts below are not exact but should point you in the right direction of what we are looking for. Proposals will be reviewed on a rolling basis.
Submit the content below in one single document as either .doc, .docx or .pdf. No .rtf files will be accepted. Please put your name, album and artist in the subject line of the email.
1. Your professional CV/resume, including full contact details + a short biography (25-50 words).
2. A draft annotated table of contents for the book. This should include chapter titles and a brief 50-500 word summary of each chapter. If you plan on deviating from a chapter structure, please explain why in 500 words.
3. A draft introduction/opening chapter for the book, of around 2,000 words.
4. A concise description of the book (up to 250 words). This needs to be clear, informative and persuasive. It should be suitable for use as the book’s blurb. It should be written so that people who are unfamiliar with the album will understand what this book is about.
5. Your analysis of the most relevant competing books already published (or forthcoming) about the artist in question or the scene surrounding that artist – and how your book will differ. Are there any films or film projects in the works? 200 words or less.
6. At least 500 words about yourself and why you are qualified to write this book. Why are you the best person to do it? How you would help Bloomsbury Academic market your book? Please list websites/forums/listservs you’d contact directly; any artist involvement you might expect; any college-level courses on which you think your book could be used, and so on.
7. Which existing 33 1/3 books or other types of music writing you like or dislike. Why? 500-1000 words.
8. Describe the audience for your book. What are the fans like? Describe your target market. How large is this market? 200 words.
9. Please list the amount of time it will take you to complete your manuscript.
10. Do you have any feedback? How is the series doing so far? What could we do better? Not required.
Upon submission you will receive an auto-reply message. Unfortunately we are not able to respond to each submission individually, but we will reach out to you as soon as we can if we would like to move forward with a project.
Just in case you need a refresher, here are the other books in the series and here are the ones currently contracted to come out in the next 3 years.
If you are a member of the press and want to know more about the series or write about it, please visit our contact us page.
Q: How much will I be paid for writing a 33 ⅓?
A: Writing a 33 ⅓ will not make you rich. But it will bring you fame, glory and bragging rights. We are able to offer a small advance and a 10% royalty rate on each contract.
Q: Do you have examples of successful pitches to share?
A: Yes, in our new textbook How To Write About Music there is a chapter titled “How To Pitch a 33 1/3″ that is worth reading.
Q: I submitted a proposal last time and it would be really helpful to hear some constructive criticism as to why it was rejected, can you quickly look at it and let me know what I can do better?
A: Very sorry but we just don’t have the time or resources to do that. While we carefully read every single proposal there are a multitude of reasons why many don’t get selected. This is not to discourage you from submitting again, but seriously consider extensive revisions.
Q: There is already a book in the series by the same artist as the one I’m proposing, will you consider two albums by the same artist?
A: Yes. There are two albums by Radiohead, two by the Beach Boys and two by The Rolling Stones in the series already.
Q: Why are so many of the books cancelled after they are signed up?
A: Because life gets in the way. There are many reasons some of the accepted proposals never become books. Some of the more common reasons: life change, health problems, artist refuses to cooperate/talk, there isn’t enough to say about the album. To try to circumvent this, 33 1/3 has a new publishing schedule in which contracts will be issued for books due within 12 months.