My Midnight Vs. Purchase in the Rearview Mirror

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If you’re of a certain age and musical bent, the midnight record release party likely holds a special, nostalgic place in your heart. Because they’re where you scored some of the albums that shaped your youth and young adulthood. Because high school and college were decades ago, and the good stuff from that long and challenging era now shines brighter than the mistakes and regrets. Because, perhaps, you’re not sure if you’ve attended a release party since the turn of the millennium.

New 33 1/3’s + upcoming author takeover!

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Vs. roils with fury—and at times, gently steams over the trappings of fame, human faults, and societal injustice. Tapestry is both an anthemic embodiment of second-wave feminism and an apotheosis of the Laurel Canyon singer-songwriter sound and scene. To coincide with our latest releases, authors Clint Brownlee and Loren Glass continue to explore these two albums, expanding upon their work right here on the blog.

Celebrating International Women’s Day

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On International Women’s Day, and for the entirety of Women’s History month, the Bloomsbury Academic podcast revisits episodes that focus on experiences and portrayals of women. Listen in as Carol J. Adams, Rafia Zakaria, and Jenn Pelly apply a feminist lens – as well as their own lived experiences – to women (and womanhood) in music, fashion, advertising, language and literature. These are three conversations you won’t want to miss, featuring an interview with one of our 33 1/3 authors. Stay tuned for a new episode featuring 33 1/3 author…

Celebrating Black voices on the Bloomsbury Academic podcast

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This month, the Bloomsbury Academic podcast takes a look at episodes that amplify Black voices and celebrate Black art and history. Listen in as Ayanna Dozier, Ana Lucia Araujo, Faith Pennick, and Ayanna Thompson discuss everything from slavery and collective memory to the history of representation in the music and theater industries to modern forms of expression and empowerment. These are four conversations you won’t want to miss, including two interviews with our 33 1/3 authors.

Celebrating Black History Month with 33 1/3

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In honor of Black History Month, we’re celebrating some of the most important musicians in Black history and culture. From classics like Marvin Gaye and Aretha Franklin to modern icons like Kanye and Janelle Monáe, our newest playlist has a little something for everyone. We’re featuring some of our favorite 33 1/3 artists alongside some of the most recent additions to the series and exciting upcoming releases. Listen now on Spotify and learn more about our latest books.

Happy Holidays from 33 1/3!

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Need a soundtrack to make your holiday a little merrier? Check out our newest 33 1/3 playlist! Featuring some of our favorite 33 1/3 artists and highlighting some of the most recent additions to the series, these songs will provide the perfect background to all your tree-decorating, cookie-baking, and present-opening festivities. Listen now on Spotify and learn more about the latest books in the series, including our 150th 33 1/3. Happy holidays!

From Elvis in His Canon

Eric Wolfson on his favorite Elvis albums Elvis has always had a precarious place in the rock and roll canon. Despite his massive influence, Elvis is usually left off those “Greatest Albums” lists, dismissed as a relic from the supposedly trivial era before the Beatles arrived. (Never mind that the Beatles would have never existed without Elvis.) And he is not alone. The same is true for his ’50s peers, as albums like Chuck Berry Is on Top, Jerry Lee Lewis’s Live at the Star Club, Hamburg, Here’s Little Richard,…

From Elvis in the White House

Eric Wolfson on Elvis, the man who admired Nixon, and Elvis, the American brand On June 9, 1972, Elvis held a press conference about his upcoming shows at Madison Square Garden in New York City. By this point, Elvis had already begun his Vegas tenure and was largely viewed as part of the establishment. Midway through, a female reporter asked him what he thought of war protesters and whether he would accept being drafted today. Elvis responds, “Honey, I’d just—I’d just—sooner keep my own personal views about that to myself…

From Elvis “In the Ghetto”

Eric Wolfson on Elvis becoming an American cultural icon From the moment Elvis entered the Army, he rarely skirted controversy for the rest of his career. To do so threatened to divide the coalition of fans he spent his whole career building, and his domineering manager, “Colonel” Tom Parker wouldn’t have that. Specifically, the Colonel was dead-set against one of Elvis recording one of his now-signature songs, “In the Ghetto,” his first Top 5 U.S. hit in four years and the finale of From Elvis in Memphis. In my book,…

From American Sound Studio in Memphis

Eric Wolfson on the contested history of “The Memphis Boys” Elvis Presley recorded From Elvis in Memphis at one of the most unheralded sites in rock and roll history, American Sound Studio. The studio was founded by a maverick guitarist/songwriter/producer named Lincoln “Chips” Moman (his nickname came from a love for gambling), who helped launch Stax Records, scouted its now-famous location, and produced its first hit (Carla Thomas’s “Gee Whiz” in 1960), before splitting because he felt like getting ripped off by the studio’s founders. Chips formed his own studio,…