For a decade or so, Jorja Chalmers has been performing saxophone and keyboards with Bryan Ferry. She’s a dazzling presence on stage, as befits Ferry’s carefully curated and casually sophisticated image, plus her contributions to his concerts can be outsized. During a recent, pre-Covid performance at the Greek Theater in Los Angeles I attended, the backup singers on the iconic song “Avalon” lost their way in the final section. Ferry looked wide-eyed at Chalmers, who swiftly crossed the stage to guide the singers back in sync. Ferry, clearly grateful for Chalmers’s cool, shrugged off the misstep.
This year, Walter Egan released an album partly about a crush he had on Pamela Des Barres, a famous rock ’n’ roll “super-groupie” with a long list of friends and lovers in the music, film, and television industries. She came of age on LA’s Sunset Strip, in Laurel Canyon, and on the beach, relishing the full landscape of Southern California sensations. Egan met her briefly in 2001 and then again over a weekend in 2013, noting in his journal at the first encounter that she “was famous for ‘hanging out’ with rock luminaries.”