“I came to hear the wordless, cinematic Track 3 “Ondas (Na Óhlos de Petronila)” as a devastating protest of 1979 Brazil from afar.”
A guest post by Dan Sharp.
UA-111876855-1
Short books about albums. Published by Bloomsbury
Read posts related to Brazilian percussionist, vocalist and berimbau player, Naná Vasconcelos, and his music.
“I came to hear the wordless, cinematic Track 3 “Ondas (Na Óhlos de Petronila)” as a devastating protest of 1979 Brazil from afar.”
A guest post by Dan Sharp.
“Naná Vasconcelos’s superb time surfaced several times when I talked to the producers, engineers, and musicians that knew him best … Naná could easily work without a click track, or dance around the pulse of a click track, producing parts that don’t feel pinned down by its tyranny.”
A guest post by Dan B. Sharp