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Articles written by authors, guests and the 33 1/3 team.

Video Vault: Prince, “Raspberry Beret”

ANOTHER POST FOR OUR “THROWBACK THURSDAY” SEGMENT, VIDEO VAULT! ON SELECT THURSDAYS, WE DISCUSS OUR FAVORITE MUSIC VIDEOS THROUGH THE AGES.  For this Throwback Thursday, I thought we’d celebrate the 35th anniversary of Prince’s  Around the World in a Day by revisiting the album’s hit single “Raspberry Beret.” A strangely innocent song for the otherwise scandalous […]

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Women Crush Wednesday: Joni Mitchell’s Court and Spark

Who better to celebrate on #womancrushwednesday than Joni Mitchell? An emblem of female empowerment, Mitchell has always retained publishing rights to her music and has produced, often solely, her own albums. Though primarily considered a pop artist, the songs she wrote carried a signature folk rock sound with a jazz influence. Mitchell’s success as a

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Gigaton Album Cover

For your at-home Pearl Jam session – stream Gigaton now!

It’s been seven years, but they’re finally back in business. Pearl Jam officially released Gigaton last Friday, and we couldn’t be more excited. This self-recorded and self-produced album features twelve new songs, including “Dance of the Clairvoyants,” “Superblood Wolfmoon,” and “Quick Escape” which were all released as singles earlier this year. It’s experimental and creative, providing critical

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Camp and Excess on Diamond Dogs: A Conversation Between Glenn Hendler and Rick Moody

After finishing my 33 1/3 volume on David Bowie’s Diamond Dogs, I’d had enough ruminating about the album on my own. Now I wanted to hear what other people had to say. So I wrote to some of the smartest and most interesting people I know to ask them for their thoughts and feelings about

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Why Diamond Dogs?

Glenn Hendler, author of David Bowie’s Diamond Dogs, on why he chose to write about Bowie’s dark, dystopian album The first time I saw David Bowie in concert, he pointed directly at me. He was on his 1976 “Isolar” tour in support of the album Station to Station, and I saw him in my hometown: New

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From the East Village to Shibuya: A Tale of Two Record Stores

Martin Roberts, author of Cornelius’s Fantasma, on the central role that record stores played in his life. Like so many other stories about pop music fandom, this one begins with a record store. In 1995, a tiny record store opened on West 4th Street in Manhattan, literally across the street from Tower Records’ flagship megastore.

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D’Angelo’s Age of “Soulquarius” – Part Two

Faith Pennick, author of D’Angelo’s Voodoo, on how astrology shaped D’Angelo’s music. [Click here to read part one] A deeper thread is unraveled when an Aquarius is a Black man. “The key definition, I believe, of being African American…is tied into anti-Blackness,” astrologer Samuel Reynolds explained. “So, an Aquarian Black man is going to be

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D’Angelo’s Age of “Soulquarius” – Part One

Faith Pennick, author of D’Angelo’s Voodoo, on the role that astrology plays in making music Some people dismiss astrology—the analysis of personality and human behavior based on the “sun sign” under which a person is born. But in the late 1990s, a group of striving, nonconforming musicians came together to share ideas and push each other

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