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Articles written by authors, guests and the 33 1/3 team.

Getz Gilberto

Getz/Gilberto Week: Day 4 – Stone Flower

It’s publication day for Getz/Gilberto! Today Bryan McCann introduces us to a “masterpiece” album that remains little known even in Brazil, yet deserves our attention… Sometimes great things come from inauspicious beginnings. The Adventurers, a 1970 film directed by Lewis Gilbert, based on a Harold Robbins potboiler, is an agglomeration of every imaginable stereotype of brutal, exotic

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Getz Gilberto

Getz/Gilberto Week: Day 3 – Bossa, Brasília and Jet Travel

Today, 33 1/3 Brazil author Bryan McCann explores how bossa nova links to two other important cultural developments in mid-’50s Brazil: air travel and the construction of the “airplane city”, Brasília. Bossa nova came from Rio de Janeiro—directly from its beaches, nightclubs and middle-class apartment buildings and indirectly from its downtown streets and hillside favelas.

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João Gilberto

Getz/Gilberto Week: Day 2 – Bossa v. Bolsonaro

Bryan McCann, author of João Gilberto and Stan Getz’s Getz/Gilberto, is guest-blogging for us all week. Today he delves into the relationship between bossa nova and politics, asking: what hope does the music hold for Brazilians in the current political climate? Getz/Gilberto was recorded in March of 1963 but not released until late February of 1964.

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Getz Gilberto

Getz/Gilberto Week: Day 1 – Nothing Like The First Time

This month we’re bringing you two new books in the Brazilian strand of our 33 1/3 Global series! The first is on João Gilberto and Stan Getz’s Getz/Gilberto with its hit single “The Girl From Ipanema”: a game-changing album, as author Bryan McCann explains… The first time I really listened to João Gilberto, as opposed to hearing him

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Siouxsie and the Banshees Week: Day 4 – “Peek-A-Boo” Part 2

To celebrate the recent publication of Siouxsie and the Banshees’ Peepshow, author Samantha Bennett will be guest-blogging all week. In her final post, Samantha looks at the influence that silent films had on the music video for their critically acclaimed song, “Peek-A-Boo.” Peepshow features numerous references to silent filmmaking, particularly its technical facets, including the use

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