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Articles written by authors, guests and the 33 1/3 team.

Scott Tennent Celebrates the 20th Anniversary of Spiderland

This week officially marks the 20th anniversary of Slint’s album Spiderland. Celebrations are being held all over the world and music bloggers are blogging their hearts out, gushing about how the album has impacted them. Our very own 33 1/3 author Scott Tennent was featured on the “Posted” radio program on Australia’s RTR FM 92.1. […]

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Ween alert in Brooklyn!

On Sunday, March 20th, Hank Shteamer will be launching and talking about his 33 1/3 on Ween’s Chocolate and Cheese at Word Books in Brooklyn. There will also be a screening of some sort, though I’m not sure at this point what that will involve… RSVP on the facebook event page here. And click here

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M. Henry Jones, The Fleshtones, Sweat, and the Wall Street Journal

I meant to put up a post about this yesterday, before the event, but it’s still a great read nonetheless.The Anthology Film Archives aired a comprehensive screening of M. Henry Jones’s film work on Thursday night, and the Wall Street Journal did a nice write-up of the show, focusing on his video for “Soul City”

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The 400 Blows

I like to imagine this happening on stage as a drum solo.[youtube http://www.youtube.com/watch?v=VWYmXIFArG0]via WFMU‘s Beware of the Blog (it’s worth mentioning that their fundraising marathon is going on right now, and we donated some 33 1/3s as premiums!)

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Henry Rollins, Punk

S.X. Rosenstock has a good piece on the Huffington Post about Henry Rollins, who turned 50 a few days ago. Here’s an extract: “Henry Rollins stalks the earth. Tibet. Uganda. Mongolia. North Korea. The Costco in Burbank. He pounced onto the stage at LA’s Largo to demonstrate relentless curiosity about the world and concern for

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Fleetwood Mac’s Tusk

We’re very pleased to announce that the volume in the series about Tusk is now widely available. Here’s what it says on the back of the book: After Rumours became the best-selling single album of all-time, Fleetwood Mac asked Warner Brothers Records to buy them a studio (the label refused, costing both Warner Brothers and

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